Formatting tweak

Author: devalog

_posts/2025-02-17-montecristo.md

@@ -12,9 +12,13 @@ When the book opens, it’s 1815. Edmond Dantès arrives in Marseilles, France a
 
 After multiple years in prison, Dantès meets Abbé Faria, an Italian priest imprisoned in a neighboring cell. Faria becomes a teacher and father figure to Edmond and they plan to escape together. Before Faria dies, he reveals the location of an immense fortune on the island of Monte Cristo. In the most tense, thrilling scene of the book, Edmond escapes from prison after the death of Faria. He finds the treasure and spends years traveling the world. The story picks back up years later in 1839, as the Count begins to slowly put into motion his revenge plots on Villefort, Danglers, and Fernand. He arrives in Paris and gains the trust and friendship of his targets. He saves Madame Villefort and her son from a runaway horse. (He also arranged for the runaway horse.) He banks with Danglers. He saves Albert, son of Fernand and Mercédès, after he’s kidnapped by bandits (and in fact, arranged the kidnapping).
 
-The plots that the Count engineers are ingenious and very fun to read about. Evil people lose money; there are poisonings, thwarted poisonings, disguises, and courtroom revelations. Multiple people are buried alive. In chapter 88, a minor character wonders whether the Count of Monte Cristo “is an arrogant braggadocio or a supernatural being.” Monte Cristo’s whole revenge venture is by definition selfish and self-interested, but it’s also in pursuit of what he sees as divine justice. He feels sanctioned by God and justified by his own suffering. It’s hard to refute his moral justification, but not all of his actions are guided strictly by morality. Beneath the godlike exterior, there is certainly a flawed man who makes some questionable decisions and prioritizes his own self-interest in the name of morality. His actions often start morally justified and descend into questionable self-interest. 
+The plots that the Count engineers are ingenious and very fun to read about. Evil people lose money; there are poisonings, thwarted poisonings, disguises, and courtroom revelations. Multiple people are buried alive. In chapter 88, a minor character wonders whether the Count of Monte Cristo “is an arrogant braggadocio or a supernatural being.” Monte Cristo’s whole revenge venture is by definition selfish and self-interested, but it’s also in pursuit of what he sees as divine justice. He feels sanctioned by God and justified by his own suffering. It’s hard to refute his moral justification, but not all of his actions are guided strictly by morality. Beneath the godlike exterior, there is certainly a flawed man who makes some questionable decisions and prioritizes his own self-interest in the name of morality. His actions often start morally justified and descend into questionable self-interest:
 
-Monte Cristo saves his servant Ali from execution, but waits to save him until his tongue is already cut out because a mute servant is very useful to the Count. He alters his revenge plans and spends months saving Valentine Villefort, daughter of his sworn enemy, from poisoning because Morrel is in love with her. But then Monte Cristo misleads Morrel, letting him think Valentine is dead for over a month, for no particular reason other than dramatic effect. A child dies as the result of an overengineered scenario. Monte Cristo plays god, but he isn’t god. His morality is hard and brutal and not always actually moral. This moral ambiguity and the Count’s subtle back and forth between a righteous god and a megalomaniac makes the book incredibly gripping.
+* Monte Cristo saves his servant Ali from execution, but waits to save him until his tongue is already cut out because a mute servant is very useful to the Count. 
+* He alters his revenge plans and spends months saving Valentine Villefort, daughter of his sworn enemy, from poisoning because Morrel is in love with her. But then Monte Cristo misleads Morrel, letting him think Valentine is dead for over a month, for no particular reason other than dramatic effect. 
+* A child dies as the result of a scenario that Monte Cristo overengineers. 
+
+Monte Cristo plays god, but he isn’t god. His morality is hard and brutal and not always actually moral. This moral ambiguity and the Count’s subtle back and forth between a righteous god and a megalomaniac makes the book incredibly gripping.